WABI SABI

Wabi Sabi comes from Japan. It is an aesthetic concept regarding the perception of
beauty and constitutes a framework for evaluating Japanese art.
Wabi Sabi is not translatable. It is an elemental concept. Beauty is not the highest value,
but rather the imperfect. The concept can be applied on architecture. With these pictures the artist is raising questions like:

When is architecture perceived as being valuable? Does architecture need to be big?

Does architecture need to be old? Does architecture need to have space infant of it?

All pictures have a photography as a base. The inherent qualities of the architecture are the starting point for the extension of the picture. By thousands of layers of spray paint the artist is creating a new meaning of the building or the city space.

WABI SABI IV_Muscat / 2017

Photo and acryl on canvas paper  34 x 48cm,  48 x 54cm

collaboration
Grit Weihmann, Anke Parson, Ute Schneider

Muscat, 34 x 48 cm, sold

Muscat, 48 x 34 cm, sold

Muscat, 48 x 34 cm, sold

Muscat, 48 x 34 cm

Muscat, 48 x 34 cm

Muscat, 48 x 34 cm

WABI SABI III – Brussels, Venice, Mersin, Riga, Bari / 2017

Photo and acryl on canvas paper  34 x 48cm,  

collaboration
Grit Weihmann, Anke Parson, Ute Schneider

Brussels,34 x 48cm, sold

Venice,34 x 48cm, 380 €

Mersin, 34 x 48 cm, 350 €

Riga, 48 x 54 cm, 470 €

Venice, 34 x 48 cm, 380 €

Bari, 48 x 34 cm, sold

WABI SABI II – Lodz, Berlin / 2015

Photo and acryl on canvas paper  34 x 48cm,  

collaboration
Grit Weihmann, Erika Walter

Wabi_sabi_rastplatzA30_jawa15

Lodz, 24 x 30 cm, sold

Wabi_sabi_lodz_parklatz_jawa15

Lodz, 24 x 30 cm, sold

WABI SABI I – Venice, Riga, Mersin / 2015

Photo and acryl on canvas paper  24 x 30cm,

collaboration
Grit Weihmann, Erika Walter

Riga, 24 x 30 cm, sold

Venice, 24 x 30 cm